Partitions Numériques de Take The Lead pour Cor et Piano

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Take The Lead
Non classifié 353

Piano & claviers
Piano, Voix 151
Instruments en Do 140
Piano seul 96
Piano Facile 54
Piano, Voix et Guitare 39

Piano Quatuor: piano, violon, alto, violoncelle 5
Orgue 4
Piano Trio: piano, violon, violoncelle 3
Ligne De Mélodie, Piano 2
Piano (partie séparée) 2
1 Piano, 4 mains 1
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accompagnement Piano 1
Accordéon 1

+ 9 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 90
Ukulele 11
Guitare notes et tablatures 11
Guitare 8
Guitare (partie séparée) 5

Paroles et Accords 5
2 Guitares (duo) 2
Basse electrique 2
Piano, Guitare (duo) 2
Mandoline 1
Dulcimer 1
Guitare, Orchestre 1

+ 7 instrumentations

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Voix
Chorale SATB 71
Chorale SSAA 36
Chorale TTBB 31
Chorale 3 parties 30
Chorale Unison 13

Chorale 2 parties 13
Voix haute 1
Voix Soprano, Piano 1
Chorale SSAATTBB 1
Voix duo 1

+ 5 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 59
Quintette de Saxophone: 5 saxophones 31
Saxophone (partie séparée) 14
Flûte traversière et Piano 13
Ensemble de saxophones 9

Quatuor de Saxophones: 4 saxophones 9
Hautbois, Piano (duo) 8
Quatuor de Clarinettes: 4 clarinettes 8
Clarinette et Piano 6
Saxophone Tenor et Piano 6
Quatuor de Flûtes : 4 flûtes 5
Clarinette 5
Flûte, Hautbois, Clarinette, Basson 5
Flûte traversière 4
Saxophone Alto 4
Clarinette, Basson (duo) 4
Hautbois, Basson (duo) 4
Saxophone Soprano et Piano 4
Clarinette, Violoncelle (duo) 4
3 Saxophones (trio) 3
Saxophone Alto et Piano 3
Flûte à bec Soprano 3
Ensemble de Clarinettes 3
2 Saxophones (duo) 2
Hautbois, Violoncelle 2
Flûte, Hautbois, Clarinette (trio) 2
2 Clarinettes (duo) 2
Ensemble de Flûtes 2
Flûte, Hautbois (duo) 2
Flûte à bec Alto, Piano 2
Flûte, Violoncelle 2
2 Flûtes traversières (duo) 2
Flute (partie séparée) 1
Saxophone Baryton, Piano 1
Flûte, Clarinette (duo) 1
Flûte à bec Tenor 1
Saxophone Soprano 1
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Hautbois, Basson 1
Saxophone Tenor 1
Flûte à Bec 1
Flûte, Trompette (duo) 1
2 Flûtes traversières, Piano 1
2 Clarinettes, Piano 1
Saxophone Baryton 1
Flûte, Hautbois, Piano (trio) 1
3 Clarinettes (trio) 1
Flûte à bec Alto 1
Clarinette, Violon (duo) 1
Flûte, Clarinette et Basson 1
Hautbois (partie séparée) 1
Flûte, Violon, Piano 1
Flûte, trombone et piano 1
Flûte, Clarinette, Piano (trio) 1
Flûte, Trombone (duo) 1
Hautbois 1
Trio de Flûtes: 3 flûtes 1
Flûte, Alto et Piano 1
Quintette de Flûte : 5 flûtes 1
Quintette de Clarinettes: 5 clarinettes 1

+ 55 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 19
Trombone (partie séparée) 12
Trompette (partie séparée) 7
Trompette 6

Trombone et Piano 5
Quatuor de cuivres: 4 trombones 5
Quatuor de Cuivres 3
Tuba et Piano 3
Cor et Piano 3

Tuba 3
Trombone 3
Cor 2
2 Cors (duo) 2
Instruments en Sib 2
Euphonium, Piano (duo) 1
Cor, Violoncelle (duo) 1
Cor (partie séparée) 1
Trompette, Basson (duo) 1
3 Trompettes (trio) 1
Trompette, Euphonium (duo) 1
Cor et Basson (duo) 1
2 Trompettes, Clavier (piano ou orgue) 1
Trompette, Violoncelle (duo) 1
Bass Clef Instruments 1
Ensemble de Cors 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Ensemble de Trompettes 1
Trompette, Saxophone (duo) 1
Tuba (partie séparée) 1
Ensemble de Trombones 1

+ 26 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 38
Violon et Piano 19
Violon, Violoncelle (duo) 13
Trio à Cordes: violon, alto, violoncelle 12
Violoncelle, Piano 11

Quintette à cordes: 2 violons, alto, violoncelle, basse 10
Alto, Piano 10
2 Violons (duo) 7
Violon 7
Violoncelle (partie séparée) 4
Trio à Cordes: 2 violons, violoncelle 4
Alto et Basson 4
Violon, Guitare (duo) 4
Alto (partie séparée) 3
Alto, Violoncelle (duo) 3
Harpe 3
Contrebasse (partie séparée) 3
Alto seul 3
Contre Basse 2
Violon (partie séparée) 2
Violon, Alto (duo) 2
Harpe, Voix 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 1
Violoncelle 1
Contrebasse, Piano (duo) 1
Harpe, Violoncelle (duo) 1
4 Contrebasses 1
Violoncelle , Guitare (duo) 1
Violon, Basson (duo) 1

+ 24 instrumentations

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Percussions & orchestre
Ensemble Jazz 40
Orchestre d'harmonie 37
Orchestre 15
Ensemble de cuivres 11
Orchestre à Cordes 10

Cloches 5
Jazz combo 5
Ensemble de Percussions 4
Orchestre de chambre 4
Xylophone 2
Batterie (partie séparée) 2
Batterie 1
Xylophone, Piano 1
Vibraphone 1
Fanfare 1

+ 10 instrumentations

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Autres
Théorie de la musique 1

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Vous avez sélectionné:

Take The Lead

Cor et Piano

Partitions à imprimer

3 partitions trouvées

In the Silence

In the Silence #Cor et Piano #Daniel Baldwin

In t #Daniel Baldwin #In the Silence #Imagine Music - Digital #SheetMusicPlus

Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital...(+)

Horn & piano - Grade 4 - SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.

$15.00 ≈ 13.99€

Erlkönig

Erlkönig #Cor et Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Franz Schumbert #Layne Anspach #Erlkönig #Songburd Music #SheetMusicPlus

French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...(+)

French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music” as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home. While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe. This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day. Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,” a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder. It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King” rather than the commonly used “Elf King.”)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$14.99 ≈ 13.98€

A Night In Tunisia

A Night In Tunisia #Cor et Piano #INTERMÉDIAIRE/AVANCÉ #Jazz #Dizzy Gillespie #Keith Terrett #A Night In Tunisia #Keith Terrett #SheetMusicPlus

French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...(+)

French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

$8.99 ≈ 8.39€

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